Photo and Immersive
Green-screen Rentals
A rolling backdrop frame with a matte green cloth, for events where the background needs to be whatever you decide it is. Shoot a guest against it and drop them into a skyline, a product scene or your own artwork.
On the list. See the list
Specifications
A frame that narrows when the room does.
It opens to 7 by 10 feet at full width. Slide the two centre tubes out without tools and it comes in to 7 by 6.5 feet, which is the difference between fitting an interview corner and not. Tubing is 25 mm thickened metal on four lockable castors, so it rolls into position and then stays there. The cloth is opaque non-reflective polyester cotton, buckled onto the frame so it hangs flat instead of creasing. Green is the only cloth stocked. Where the background is settled before the event rather than chosen afterwards, a backdrop printed to your own artwork does the same job with no keying to get wrong on the night.
| Frame size | 7 × 10 ft, adjustable to 7 × 6.5 ft |
|---|---|
| Tubing | 25 mm thickened metal, push-fit |
| Cloth | Green 100% polyester cotton, matte, opaque |
| Fixing | Buckles along the frame |
| Base | 4 lockable castors, triangular feet |
| Setup | No screws, no tools |
| Care | Cloth is washable |
| Transport | Oxford storage bag |
| Available with it | Printed backdrop to your artwork — a separate item |
Where the background is the job
Six setups built on a keyable wall.
Photo activations
A guest goes wherever the campaign needs them to be. The frame costs seven by ten feet of floor and replaces a set that would have cost a room.
Video interview corners
Conference interviews shot against a background that is the same every time, in a venue that is different every time. That is consistency across a series rather than across one day.
Press and exhibitor stands
Narrowed to 7 by 6.5 feet it fits behind a booth counter. At full width it covers a wall the venue will not let you fix anything to.
Internal comms filming
It rolls through a standard doorway assembled, so the same frame moves between three offices in a morning without being taken apart and rebuilt each time.
Venues that photograph badly
A beige function room, a low ceiling, a fire door in every wide shot. The cloth is opaque, so what is behind it stops mattering entirely.
Anywhere the key has to be clean
Allow three to four feet between the guest and the cloth and light the cloth separately from the subject. Skip either and you get a green edge that no software fixes afterwards.
What usually stands in front of it
A background needs something pointed at it.
The frame is a surface, not a camera. A 360 booth in front of it puts guests on a spinning platform against a background you control, which is the pairing that makes a small stand look like a set. It wants a clear ten-foot circle, so measure the two together.
See the 360 photo booth