Poster Sign Stands
Black Poster Sign Stand Rentals — 22 × 28 in
A black frame on black uprights disappears against almost every surface an event actually has. What the guest registers is the poster, not the hardware holding it up.
On the list. See the list
Specifications
Nothing on it adjusts. That is deliberate.
No hinges, no snap frame, no height setting to be knocked out of true while the room is being turned around. The poster slides in through the slot in the top and slides out again. Anything up to 3/16 in fits — paper, a laminate or a corrugated board. The stand arrives flat: base, uprights, frame, together in minutes.
| Finish | Black |
|---|---|
| Poster size | 22 × 28 in |
| Overall height | 60 in |
| Loading | Top slot, slides in from above |
| Maximum insert thickness | 3/16 in (5 mm) |
| Faces | Two — one graphic or two |
| Uprights | Two slim posts |
| Base | Rectangular flat plate |
| Assembly | Ships flat, assembles in minutes |
| Weight | Approx. 19 lb (8.6 kg) |
Rooms that want the black one
Six places a black upright is the right call.
An evening programme
Once the house lights come down, polished metal catches every spotlight in the room and throws it back as a bright vertical line that pulls the eye off the stage. Black does not do that.
In front of drape
Our drape bays run black, so a black stand against them reads as a poster floating on the wall with nothing visibly holding it.
A trade show floor
Show carpet is usually dark and the booths either side are usually loud. Black is the neutral that does not compete with your own graphic for attention.
A multi-day run
A stand that gets repositioned twice a day collects marks. Black hides them, which is what decides whether the third morning looks as considered as the first.
A room with exposed brick or steel
Warehouse, distillery, gallery, loft. The existing metal in those rooms is dark and matte, so a bright upright becomes the one object in shot that looks hired.
On camera
Anywhere a lighting rig is doing the work and the frame has to stay out of the picture. A dark upright reads as a shadow rather than as a highlight running up the side of the poster.
When black is wrong for the room
In a marble foyer, black reads as hired kit.
Bright hotel and office lobbies are built out of glass, pale stone and polished handrails. A matte black upright is the one dark object in that palette and it announces itself as something wheeled in for the day. The chrome stand joins the room instead.
See the chrome stand