A black par can uplight standing in its own U-shaped floor bracket, twelve lenses lit pale blue across the face, shown beside the handheld remote that comes with it — seven colour buttons along the bottom above mode keys for flash, fade, jump, pulse, sound and DMX

Uplighting

Wireless Uplighting Rentals in Toronto and Vancouver

A light that stands at the skirting board and throws colour up the wall behind it, with nothing to plug in.

lights

Specifications

A bracket that tilts and six hours on a charge.

The fixture sits in a U-shaped bracket that tilts, so it stands on the floor at the wall and aims up it. A charge runs up to 6 hours and there is no lead at the fixture, so nothing has to reach a socket and nothing crosses a walkway. One remote comes with the order and sets the colour and the mode.

Light source12 × RGBW 4-in-1 LED
Colour presetsSeven — red, green, blue, cyan, yellow, purple and white
Colour mixingRGBW, set from the remote
ModesFlash, fade, jump, pulse and sound-activated
RemoteOne handheld remote supplied per order
PowerBuilt-in rechargeable battery
RuntimeUp to 6 hours on a charge
CablingNone at the fixture
MountingU-shaped floor bracket, angle adjustable
Weight1.09 kg (2.4 lb)
Size22 × 14.6 × 7.9 cm (8.7 × 5.7 × 3.1 in)

Where a light on the floor earns its place

Six rooms that change with them.

  • A blank ballroom wall

    The most common one. A long pale wall reads as nothing in photographs; a row of lights at the skirting gives it a colour and gives the room a back edge.

  • Behind a head table or a lectern

    Colour on the wall behind whoever is speaking separates them from it. The fixture is under nine inches tall, so it sits below the sightline of a seated room rather than in it.

  • Up a run of drape

    Fabric takes light better than paint does. A drape line built to hide a service door or a bare wall becomes the feature of the room once there is something washing up it.

  • Stonework, columns and panelling

    Anything with relief in it. Light raking up a textured surface from close to the base picks out the depth that flat house lighting washes away.

  • A venue with no spare outlet

    Heritage rooms, marquees, atriums, anywhere the sockets are in the wrong wall. The battery is the whole argument here: a light with no lead is a light that goes where the room needs it.

  • A room that has to change during the night

    Dinner in warm white, the speeches unchanged, the floor in colour afterwards. The remote does it from where you are standing. Sound-activated mode hands the room to whatever the band is doing.

The other thing at floor level

A full room finds everything standing on the floor.

These sit at the skirting board, which is exactly where a crowd ends up once the room fills. A belt line along the wall keeps the fixtures out of the traffic and gives the floor the edge the lighting has already drawn. Matte black posts at 8 ft spacing, which is dark enough to vanish in a room that has been dimmed for the wash.

See the black belt posts
A matte black belt post pair, belt extended between the two heads at hip height

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